Quote
"The Obama campaign has more than $60 million cash on hand. In an economy this bad, you’d think a presidential campaign that flush would be happy to pay good money for a talented designer to create a campaign poster. But the folks at Obama campaign have taken a page from the Arianna Huffington book of economic exploitation and called on “artists across the country” to create a poster … for free. And here’s the kicker. It’s a jobs poster."

Tim Dickinson (via azspot)

(via azspot)

Quote
"Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things. And the reason they were able to do that was that they’ve had more experiences or they have thought more about their experiences than other people. “Unfortunately, that’s too rare a commodity. A lot of people in our industry haven’t had very diverse experiences. So they don’t have enough dots to connect, and they end up with very linear solutions without a broad perspective on the problem. The broader one’s understanding of the human experience, the better design we will have."

Steve Jobs, Wired, February, 1995

Photo
LogoDesignLove shares a story about the new company logo for ad agency Goodby Silverstein & Partners, a design “borrowed” from now-defunct business S&Co.

On the one hand the original logo was out of use and in the public domain. I don’t see a problem with adapting and re-appropriating it.

On the other hand, GS&P should have acknowledged where the “inspiration” came from. And they should never have submitted it to Cannes.

If I were a client (or potential client) this episode would certainly make me doubt their trustworthiness.

LogoDesignLove shares a story about the new company logo for ad agency Goodby Silverstein & Partners, a design “borrowed” from now-defunct business S&Co.

On the one hand the original logo was out of use and in the public domain. I don’t see a problem with adapting and re-appropriating it.

On the other hand, GS&P should have acknowledged where the “inspiration” came from. And they should never have submitted it to Cannes.

If I were a client (or potential client) this episode would certainly make me doubt their trustworthiness.

Link

Robert Newman of SPD gets the scoop on how TIME, BloombergBusinessweek and Newsweek worked against deadline to publish commemorations following the death of Steve Jobs. Wonderful behind-the-scenes stories.

Link

viafrank:

Today seems to be a suitable day for us all to step back and assess the influence and legacy of the work that we do. Jobs always said he wanted to put a ding in the universe. We don’t have to be quite so ambitious in scale, but it does seem prudent to consider the effect of our work in this larger concept of time. How will our efforts affect people now, and how will the way they change people extend into the future? The sadness you have (if you feel it) is not from a come-back story ending, or the changing of guard at a company, or from a connection to a device you carry with you daily. That sadness is for the loss of a man who unabashedly devoted his life to making things that helped others live well.